Pages: 24-36

Abstract

The transition from the imagination to the image can only be viewed and recognized in the context of an evolutionary process. But how an imagination that does not necessarily focus on architecture and music is thought to be conceived through particular sounds and building materials is an important and complicated issue. It is important because any researcher and anyone interested and any student of art who intends to research in these two categories can use it as a lesson in the world of experience; and it is complicated, because we know rarely an artist who can present analytically to the others the transition from his/her initial imaginations into an image that he/she has constructed. The main purpose of the design based on the architecture-music approach is to use the scientific and analytical tools to create the basis of ideas that are creative and stimulating imagination. We are looking for imaginations that lead to those imageries that cannot be transmitted to others without the figurative representation and incarnation. Because neither architecture nor music can be recognized by means of the concrete and objective methods and tools. In this research, the purpose is the representation of the form based on the principles of music and the discovery of its mathematical rules in accordance with the mental and creative schemes of architecture. In fact, the researcher is not only bound up with theoretical and fundamental differences and common features, but aims to reach the common principles of figurative imagination by exploring the foundations of these two arts‎‎‎.